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I'm yet to find anything as odd as Fallout 3's Vault full of Gary clones. One had a great idea behind it, but the delivery was underwhelming. I love the idea of the Vaults as weird social experiments, but of the three I've visited-my own character's included-none have delivered a compelling hook. But I'm yet to find anything outside of the main quest that's as odd as Fallout 3's Vault full of Gary clones, or as dramatic as the decision to let a group of ghouls murder an apartment block full of rich jerks. For all I know, there's plenty of weird and unexpected encounters to discover. I'm in dangerous territory here, because there are so many sidequests that I haven't found or finished. That said, I do wish it was a bit stranger-or even more playful. The world feels lived in and dangerous, and it's fun to pick apart its history.

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Maybe you'll find a text logs that detail a conflict between rival gang leaders, or just a note explaining how to access a hidden stash of loot.

Each location feels crafted, and that gives a powerful reason to investigate. A huge part of Fallout 4's appeal is the sense of discovery and mystery. On the macro level, Fallout 4's scale and detail creates a world that feels cohesive and full of perverse charm.Д®lsewhere, there's the Glowing Sea-a murky, barren expanse that still manages to be one of the most atmospheric places I've been to this year.

The age and limitations of Bethesda's engine are well apparent, but the Commonwealth is enticing. Now I wonder if I couldn't see the forest for the low resolution tree textures. Four years after Skyrim, I was hoping for a more pronounced improvement. Initially, I experienced the mild disappointment of familiarity. The voice acting is much better, but still not perfect. The faces are better, but still not perfect. That's mostly down to the tech powering it-even some of the NPC animations will be recognisable to anyone who's spent enough time in Tamriel. Which is to say that it looks like an improved version of Fallout 3. Graphically, Fallout 4 looks like an improved version of Skyrim. Fallout 4, like its predecessors, isn't a survival game-even though, initially at least, resources can be hard to come by. There's a lightheartedness that chips away at the tone, softening the death and decay. It's brutal and harrowing, but only up to a point. Bethesda's Fallout games are primarily about the atmosphere of the world at large, and Fallout 4 is no different. Journeying to one of the many undiscovered locations in your vicinity, you'll kill enemies, pick locks, hack terminals, collect loot and experience a standalone vignette that weaves into the larger story of Boston after the bombs.ДЄs always, then, the campaign is just the throughline for the many, many sidequests, miscellaneous events and unprompted acts of exploration you'll complete along the way. But for all the improvements, the moment to moment experience is broadly the same. As Fallout 3 was to Oblivion, so Fallout 4 is to Skyrim-the post-apocalypse of a futuristic world trapped in a '50s aesthetic, now available in Bethesda's Creation Engine and boasting some interesting new features. If you've played a Bethesda RPG before, this will be nothing new.

Does it sound like an infuriating, dissonant mess, or the cool, emergent intersection of player-driven decisions. Whether you'll enjoy it or not, I think, depends on your reaction to the description above. Fallout 4 wilfully trades immersion for an enjoyable, freeform sandbox of possibilities. When you do, it can be wonderfully satisfying, but also-in the sense that you can be a huge stealth machine carrying an antique, irradiated sword-a little bit dumb. Its systems are intricate, and invite you to tailor them to your liking. It's a highly customisable RPG in a world that's packed full of things to do.